Violinist, singer, and band leader Joca (Mlinko) Mimika, from the town of Mol in northern Serbia, was one of the greatest musicians of the early 20th century and we're extremely fortunate that he recorded so prolifically. The works of renowned Serbian composer and tamburitza musician Marko Nešić seem to make up a significant part of Mimika's discography, and this track, Ej gledaj muže (Ej vidiš muže kakvo mi je lice), is a great example. The free, improvisational style of this performance is typical of his soulful, heartfelt interpretations of Nešić's compositions.
Sunday, November 22, 2009
Wednesday, November 18, 2009
Sofka Nikolić (Part 2)
These two beautiful songs were recorded in Serbia in the late 1920's with Sofka and an unnamed Gypsy (Rom) orchestra (possibly Sofka's husband's group). The first side features a lively version of Čuješ Seko with Sofka playing the tambourine. The second track, Zone mori Zone, from the play Zona Zamfirova (Зона Замфирова), based on Serbian author Stevan Sremac's book, is one of my all time favorite songs, and Sofka's intense, powerful interpretation makes this my favorite version as well.
Čuješ Seko
Wednesday, November 11, 2009
Donations needed
-UPDATE-
OK, the music files should all be working now. Please let me know if any of the links don't work and I'll fix them.Thanks.
This is very confusing, but the company that I was using to host my music files, BOXSTR.COM has apparently split into two different companies. One of them told me that my files were gone and that they wouldn't give me a refund - and the other is staying the same and still has all of my mp3s and account information. Since I've already paid I've decided to use them until I can find a better company.
Donations are needed to keep this site going. If you are able to make a contribution, please click the "Donate" button below (or on the left side of the page). Names of donors to this project will go on a permanent list. Thanks so much for your help.
Please Help If You Can
Saturday, September 19, 2009
Yugoslavia Tamburaško Društvo (Part 2)
This was one of the greatest tamburitza orchestras to record in the 1920's! Musicians such as Vaso Bukvić, Ćira Kozarov, and Vlado Marjanović were already legends when they came to the Yugoslavia Tamb. Društvo of Indiana Harbor, Indiana. The Bukvić brothers, Vaso and Mirko, were part of the original Banat Tamburitza Orchestra founded by Zdravko Jezdimir in 1912. Also in 1912, the amazing primaš and tenor Vlado Marjanović was making his famous recordings with Drago Ilkić for the Columbia recording studios. In 1917 Ćira Kozarov joined Vaso Bukvich and Zdravko Jezdimir to make a number of recordings for RCA-Victor with the Srpski muški kvintet, a renowned tamburitza orchestra directed by Sandor Huszar. Some of these incredibly talented musicians would go on to form this group, The Yugoslavia Tamburaško Društvo, in the early 1920's.
About the songs: The first track, Komitska Pesma, an early version of the patriotic song Spremte Se Spremte Četnici (or Srpska mi truba zatrubi ) , dates back to 1908 after guerillas fought valliantly under the command of Serbian Vojvoda Jovan Stojković "Babunski" (pictured at right) against Turkish regulars at the battle of Drenovo, in Macedonia. It was composed shortly after the battle by former Serbian Orthodox monk and četnik soldier Jeremija (Jovan) Grković "Gapon", (born in Orahovac, Prizren, in 1879, he was killed in the fighting at Kumanovo in 1912). This song became very popular in the United States after WWI and tamburitza legend Dušan Jovanović recorded his own version in November of 1925 for the Columbia record label in New York. With the onset of WWII Spremte Se Spremte was popularized again by such greats as Edo Ljubić, who recorded it on July 30, 1942 for RCA-Victor, and Raša Radenković and Mirko Marković who recorded a version for the Sonart label. This track was recorded on July 23, 1924 in Richmond, Indiana and features lead vocals by Vaso Bukvić.
The second track, Prošetaj Lelo (better known as Čini ne čini, or Ne luduj lelo), doesn't need much introduction. Written by Serbian poet and songwriter Milorad Petrović Seljančica, and composed by Stanislav Binički, this song was extremely popular and was performed and recorded by countless orchestras and choirs in Europe and the U.S.A. This track was recorded on July 23, 1924 and features vocals by Ćira Kozarov.
I'm so grateful to my friend Milan Opacich for giving me this rare treasure! Thanks Milan!
Komitska Pesma
Jovan Stojković "Babunski" |
The second track, Prošetaj Lelo (better known as Čini ne čini, or Ne luduj lelo), doesn't need much introduction. Written by Serbian poet and songwriter Milorad Petrović Seljančica, and composed by Stanislav Binički, this song was extremely popular and was performed and recorded by countless orchestras and choirs in Europe and the U.S.A. This track was recorded on July 23, 1924 and features vocals by Ćira Kozarov.
I'm so grateful to my friend Milan Opacich for giving me this rare treasure! Thanks Milan!
Komitska Pesma
Wednesday, September 2, 2009
Jorgovan Tamburica Orchestra - (Part 4)
Here is another great old record by the Jorgovan Tamburitza Orchestra featuring Ilija Mišković, Djoko Dokić, Nikola Plavsić, Todor Petrović, and Mirko Kolesar. These two tracks were recorded in New York on June 24, 1926.
Kolo Branka Radičevića Sa pesmom
Sa tog polja Bojnog
***
Sa tog polja Bojnog
***
-Updated Record-
I've updated the Jorgovan (Part 2) post with a better copy of Columbia 23035-F. I've posted it here as well...
Labels:
Djoko Dokich,
Ilija Miskovich,
Jorgovan,
Mirko Kolesar
Saturday, August 22, 2009
Budučnost Tamburitza Orchestra
Here are three great records featuring Tamburitza Orchestra "Budučnost" of Detroit, Michigan, recorded in the 1940's for the Zora Record Co.
Ja Sam Svome Loli
Thursday, August 20, 2009
Cig. Kap. Sava Milković (1)/ Members of National Theater in Belgrade (2)
The two sides of this record are by different performers. First is a very interesting and beautiful song with a heavy Romanian slant performed by Sava Milković and his gypsy orchestra from the Braničevo District of Serbia. The energy in this performance is incredible.
Side two features actors from the National Theater of Belgrade performing a scene from the play "Đido, slika iz seoskog života u pet činova s pevanjem" (Djido, pictures from village life in five parts with singing) by Janko Veselinović. Performing here are Žanka Stokić, Teodora Arsenović, Aleksander Zlatković, and Milorad Dušanović
Side two features actors from the National Theater of Belgrade performing a scene from the play "Đido, slika iz seoskog života u pet činova s pevanjem" (Djido, pictures from village life in five parts with singing) by Janko Veselinović. Performing here are Žanka Stokić, Teodora Arsenović, Aleksander Zlatković, and Milorad Dušanović
Srbi Vole Jer Su Lole
Friday, August 14, 2009
Srpsko Pevačko Društvo iz Lebanona, PA
This truly amazing choir came from Lebanon, Pennsylvania, and was directed by Dr. Johann M. Blose. The first recording is a beautiful rendition of Čini Ne Čini by legendary composer Stanislav Binički. Side two features the upbeat composition Srpkinja by another famous Serbian composer, Isidor Bajić. This choir traveled to New York to make these recordings in February of 1931.
Saturday, August 8, 2009
Muzika Kraljeve Garde (1927)
This record features Serbia's premier military band, the King's Guard Orchestra, performing a beautiful instrumental medley of popular folk songs. The arrangement is by F.Sedlaček.
Friday, August 7, 2009
Banat Tamburitza Orchestra (1920's) part II
Here are two beautiful old patriotic songs recorded in the 1920's by the Tamburaški Zbor "BANAT" and Vlado Konstantinović. The first song, Onam' Onamo, was written in 1867 by Montenegrin King Nikola I and became the unofficial national anthem of Montenegro.
Onam' Onamo
Wednesday, August 5, 2009
Neven Tamburitza Orchestra (Dir. Nick Kosanovich)
These six beautiful tracks were recorded by Neven Tamburitza Orchestra of S.S. Pittsburgh, PA, under the direction of Nick Kosanovich, and feature vocalist Desa Beatovich Sarapa.
Brata Latkovich Tamburitza Orchestra (1930)
This is another of my favorites! These two tracks were recorded in New York by the Brata Latkovich Tamburitza Orchestra in 1930.
I Moja Mi Kaže Nana
I Moja Mi Kaže Nana
Sunday, August 2, 2009
Vlado Konstantinović (1912)
Here's a very early recording of baritone singer Vlado Konstantinović featuring the beautiful solo tambura accompaniment of Andras Tavić . This is the other side of the first record in the previous post with the song "Pesmu ti pevam" by Vlado Marjanović and Drago Ilkić. It's interesting that Drago Ilkić recorded a version of "Pesmu ti pevam" with Andras Tavić on June 18, 1912, the day before he recorded the same song with Vlado Marjanović. This song, Pitaš mene, was also recorded on June 18, 1912.
Many years later, Joe Marmilich and his Tamburitzans recorded an absolutely beautiful version of Pitaš mene for the Marjon record company.
Pitaš mene
Many years later, Joe Marmilich and his Tamburitzans recorded an absolutely beautiful version of Pitaš mene for the Marjon record company.
Pitaš mene
Friday, July 31, 2009
Vlado Marjanović and Drago Ilkić (1912)
Decades before Rasha & Mirko, there was another unique tamburitza duo performing and recording here in the USA known as Marjanović & Ilkić. Vlado Marjanović was a brilliant primaš and tenor, who's fast, intricate style of playing contrasted beautifully with Drago Ilkić's steady rhythm and baritone vocals. Marjanović went on to play with many of the great early tamburaši, including Vaso Bukvich and the "Yugoslavia" Tamb. Društvo, and was a major influence on later musicians. In songs like "Otvori mi Mile pile vrata" and "Kad bi ove ružu male", or even the opening notes of "Pesmu ti pevam", you can hear the profound impact that Vlado Marjanović had on another legendary primaš and tenor, Marko Popovich. It's sad that great musicians like these can just disappear into obscurity. Vlado Marjanović & Drago Ilkić are two musicians who deserve to be remembered.
One of my favorite things about this first track "Pesmu ti pevam" is the second half when they sing a duet of "Čergo moja čergice". I've only included one side of the first record because the second side is by another musician, Vlado Konstantinović, and I'll post that next.
The second track here, "Otvori mi Mile pile vrata", ends with one of the greatest versions of a Kokonjeste that I've ever heard! You can really get a sense of Vlado Marjanović's intense and unique style from this recording.
***
***
One of my favorite things about this first track "Pesmu ti pevam" is the second half when they sing a duet of "Čergo moja čergice". I've only included one side of the first record because the second side is by another musician, Vlado Konstantinović, and I'll post that next.
The second track here, "Otvori mi Mile pile vrata", ends with one of the greatest versions of a Kokonjeste that I've ever heard! You can really get a sense of Vlado Marjanović's intense and unique style from this recording.
***
All of these songs were recorded in New York between June 14 and June 28, 1912.Pesmu ti pevam
***
Otvori mi Mile pile vrata
Tuesday, July 28, 2009
Popovich Brothers Tamburitza Orchestra
There's something absolutely magical about the sound of an orchestra made up of family members. Whether you're talking about groups comprised of brothers, sisters, parents and their children, or even whole extended families like many of the old orchestras from Europe, there's a certain level of togetherness that only blood relations can achieve. There are a very special few of these tamburitza orchestras who have the ability to evoke indescribable feelings and emotions with the simple mention of their name. Whenever I hear the word "tamburitza", I think of the Popovich brothers. Starting young in the 1920's, they continued performing together clear into the new millennium, defining tamburitza for generations of Americans in the process.
With any traditional art form it's extremely important to know where you come from, and the Popovich brothers were living libraries of knowledge about their art form, tamburitza. They knew everything about the history of the Serbian music and culture, the songs and dances, the musicians who came before them, and the old recordings. Along with this deep knowledge and appreciation came the raw, creative talent to transform it all into something completely unique and their own, traditional yet timeless. When you listen to the Popovich brothers play you can hear the love they had for the music in every single note.
This record is possibly their oldest, and except for the youthful voices, their style of playing is just the same as in later years. Timeless!
Check out This great page about The Popovich Brothers by "Baba Mim" Bizic for lots of great history, photos, and links.
And visit Balkan Records if you want to purchase digitally remastered Cd's and live recordings of The Popovich Brothers and many more tamburitza orchestras.
With any traditional art form it's extremely important to know where you come from, and the Popovich brothers were living libraries of knowledge about their art form, tamburitza. They knew everything about the history of the Serbian music and culture, the songs and dances, the musicians who came before them, and the old recordings. Along with this deep knowledge and appreciation came the raw, creative talent to transform it all into something completely unique and their own, traditional yet timeless. When you listen to the Popovich brothers play you can hear the love they had for the music in every single note.
This record is possibly their oldest, and except for the youthful voices, their style of playing is just the same as in later years. Timeless!
Check out This great page about The Popovich Brothers by "Baba Mim" Bizic for lots of great history, photos, and links.
And visit Balkan Records if you want to purchase digitally remastered Cd's and live recordings of The Popovich Brothers and many more tamburitza orchestras.
Zlatna Grivna
Friday, July 24, 2009
Šule Radosavljević-Šapčanin
Šule Radosavljević-Šapčanin's orchestra is one of those great gypsy groups that make you want to get up and start dancing...even if you don't know how. One of the great things about these tracks is the intense, lively kolo dances that follow each and every song. The combination of flawless and beautiful musicianship, with unique and passionate group vocals, make these recordings something truly special. These four were recorded in Serbia in 1927.
Sokolska pesma i kolo
Jeleno Momo Jeleno
***
Click the song titles to hear the tracks below...
Click the song titles to hear the tracks below...
Šule Radosavljević - Šapčanin
- sa svojom kapelom
- Rujna Zoro (Beautiful Dawn) V-3058-A
- Svu Noc Mi Soko (All Night The Falcon Sings To Me) V-3058-B
*********
Tuesday, July 21, 2009
Monday, July 20, 2009
Vaso & Mirko Bukvich
Subscribe to:
Posts (Atom)